monopol international

Emanuel Layr is dissolving his Vienna gallery in its current form. Fewer fairs, fewer exhibitions, more time for artists and projects: he talks to Monopol about how he envisions the future of art dealing.

In a blue blazer, she meets your gaze: former chancellor Angela Merkel’s portrait will now stay on view in Berlin through January 2027, thanks to overwhelming demand. Soon, she’ll be signing postcards, too

Ten years in Berlin: Vincent Wechselberger has spent that time photographing sex, friendships, family, parties, and the mornings after. His new book is the record of a city caught between ecstasy and hangover

Sow confusion, install false floors: with her latest show, Miuccia Prada once again proves herself the conceptual artist among fashion designers.

For years, Mexico has been campaigning for the permanent restitution of cultural objects. Now the Codex Azcatitlan is being brought back from France. At least for a short time

The parent company of Art Basel, Swiss MCH Group, reports encouraging figures for revenue and profit

Pierre Huyghe’s exhibition at the Fondation Beyeler leads into a disturbing in-between world of AI-controlled apparatuses, enigmatic beings, and dystopian images. In the end, does it amount to more than an unforgettable image?

Maurizio Cattelan is a master of deception, transgression, and self-staging. A brief overview of his work

Art Cologne expects 164 galleries and art dealers from 22 countries for its 59th edition. Forty-seven exhibitors are participating for the first time or returning after a longer hiatus